Showing posts with label Ginger Carlson. Show all posts
Showing posts with label Ginger Carlson. Show all posts

Tuesday, August 19, 2008

Helping to Grasp Wonder through The Art of Questioning

The Art of Questioning by Ginger Carlson

“What do you notice about that dinosaur’s mouth?” Sharon asks her son Alex, who like many four year olds has a penchant for any creature prehistoric. He responds enthusiastically, “Look at his sharp teef, Mom! I think that long one was for tearing the meat off his prey!” He leaps to the floor pretending to be a meat eater. His confidence in his own ability to draw conclusions soars, something that may not have happened had he been posed the question in a less open way.

What’s in a question?
We often ask them to get our children to prove what they know or have just done or to spit out ‘the facts’. If words alone have so much power, forming them into the right question can move mountains, the kind that make for more creative and confident thinkers.

Sharon knew that Alex would easily be able to rattle off which dinosaurs were meat eaters and which were not. But instead of just drilling him with “Do you think that dinosaur is a meat eater?” she decided to take the conversation (and the thinking) further. With a good question, we have the power to focus our children’s attention, help them observe and compare their surroundings, to pose problems, investigate relationships and
stimulate their reasoning. At the same time, we can also establish an atmosphere of trust and provide intriguing experiences that guide their curiosity.

A loaded question.
At the heart of asking good questions is a true exploration of our children’s wonderings about life. Through our use of questions we can help them tap into their creativity by allowing them to have a truly inquiry based learning experience, driven by their own interests, observations and predictions. Instead of asking yes or no questions or ones that require them to simply state the obvious, offering questions like “What happens if…?” , “Can you find a way to…?,” or “I wonder what would happen if…” can open conversations that may lead to exciting places.

“When children are asked questions in an inquiry based way, it affects how they approach future problems,” says Dr. Mark Hertle, Senior Program Office for Precollege Science Education at Howard Hughes Medical Institute. “They look at things and search for how best to pry out the answer. They become the adults who are experimenting with new recipes and constantly learning new things.”

Beyond the ‘right’ answer.
While we may ask the right question, equally important for our children’s development is accepting their answers. Giving your child a chance to explain herself more fully without judgment or constant correction will be a key component in gaining confidence in her own learning and exploration.

As parents, it’s sometimes hard to be able to accept that the ‘right’ answer isn’t always the one we were looking for. When questions are truly spontaneous and natural and have elicited a thoughtful conclusion (even if it wasn’t what we would consider ‘right’), instead of correcting their observation, we can respond with “That’s really interesting; I hadn’t thought of that.” or “Thank you. I understand.” A simple acknowledgment can be all they really need to further their thinking.

The balancing act.
As a parent looking to ‘seize teachable moments’, it’s easy to go overboard in the question asking department. We want our kids to be thoughtful but may end up overloading them with “What did you build?”, “What are you cooking?” or “Can you tell me about your drawing?” So as not to overwhelm your learners or put words in their mouths, try varying your questions with statements about what you observe them doing, allowing space for them to elaborate where they feel comfortable. Say things like “What an interesting structure you have constructed”, “I see you have been working in your kitchen,” or “What a wonderful use of color!”

Learning to ask questions is in fact an art. Bringing thoughtfulness to this neglected art, we can help nurture our children’s creativity and allow critical thinking to bubble to the surface. After all, in the words of the poet E.E. Cummings, “Always the more beautiful answer who asks the more beautiful question.”

Ginger Carlson, MA Ed, is a speaker, education consultant, and the author of Child of Wonder: Nurturing Creative and Naturally Curious Children (Common Ground Press 2008). She leads creativity-building workshops throughout the US for parents and educators. Please visit her at http://www.gingercarlson.com to learn more, see her blogs about living creatively and cooking with children, or sign up for Wonderwise, her free newsletter.
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Tuesday, August 12, 2008

Signs of Creativity

My “job” takes me to learning environments of all shapes and sizes. Usually the signs I see resemble rules to be followed and a series of don’ts or other things to avoid.
Last week, I was delighted to turn a corner and see a sign posted on a door that read “Are you a Dreamer? Come in, come in!”

Signs are ever prevalent in the lives of human beings. They tell us what to do, what rules to follow, what direction to go, what brand of detergent to buy, and even how we should act as parents. For young children they are great outlets for learning print concepts, letter recognition, and making connections. But beyond all that, can they also be an avenue for creative development?

Inviting creativity into our homes and our lives, is in many ways a symbolic action. We may not be as explicit as posting an actual invitation stating, “Please Come to My Creativity Party” but the words we surround our selves and our children with, will certainly encourage creativity to emerge.

Affirmations
Signs can also be used as affirmations in your home. Guide your children in creating their own affirmations for their own creativity. Try signs such as “I am creative”, or “I create”. Make a special magnet to hold creative works that says, “ Look what Sally Made!”

Leave notes and “signs” around the house
A packet of post-it notes can be among the simplest, yet most fulfilling signage tools in your creative home. Leave little notes for one another like “Kisses 4 U” or “Happy Day!” Use stickers or pictures for your pre and early readers to create a Rebus sign. Tuck them in books, lunch boxes, on mirrors, or on the top step of the bunk bed to keep the creative surprise going. And take it even further, by leaving notes for others who may stumble across them: the fairies, dragons, or other magical and mythical creatures your children may have formed a special relationship with.

Communication systems
Open and closed signs around the house and affiliated with certain activities can be a valuable tool if you want to put limits on what can be done when. Flipping over a sign on the computer, TV, or other high frequency and stimulating areas can be a good form of silent-non-arguable communication. Color-code your signs for early or pre readers so everyone in the house can be in on the communication system! One mother of two young boys, has a running rule that after a certain time in the evening, the “kitchen is closed”. Her boys were often asking, “Is the kitchen open yet?” They found it exciting and novel to make an open and closed sign for Mom to turn over when the kitchen entered each stage in the day. Make labels for household items, or your own open and closed signs for specific rooms. But don’t stop there. Signs can be unique part of your child’s creative play.

Incorporate Play
As children engage in different types of play, such as simulations, encourage them to add signs to their make-believe restaurants, banks, train stations and lemonade stands. Consider also labeling items such as refrigerator, door, chair, and other items around your home in order to increase the opportunities for seeing print. This is also a good opportunity to introduce print in a second or third language.


Play with Signs
As you make your own signs around your own home, in your own environment, your children will likely begin to notice them more outside of the home. As you drive around and encounter billboards and other signage in your town, get talking about what else could be happening in the picture. Play I wonder… games and use signs and pictures to tell stories. Often ads/billboards play on words and their meanings. Explore puns and make up new ones.

As children use words, write them themselves, and express their creativity through using labels and making signs, accept their own unique spellings that emerge. Encourage risk taking in spelling by reserving judgment about the way words are written. Be aware of development appropriateness in varied spellings. But also be aware that some children will thrive more and take more risks when they have you modeling. as children need to consistently hear language that is above their reading level, so do they need to be able to record stories and other means of language that is above their writing level. So if your child asks you to write the sign for them, encourage the independence to do it themselves, but don’t be afraid to take dictation for a while. Like all things, find the balance when you can.


As you ponder the question, “Are you a dreamer?” Don’t just cross the threshold of your creative home with your feet. Spread your wings, and fly in, fly in!

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Ginger Carlson, MA Ed, is a speaker, education consultant, and the author of Child of Wonder: Nurturing Creative and Naturally Curious Children (Common Ground Press 2008). She leads creativity-building workshops throughout the US for parents and educators. Please visit her at http://www.gingercarlson.com to learn more, see her blogs about living creatively and cooking with children, or sign up for Wonderwise, her free newsletter.
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Tuesday, August 05, 2008

Letting My Own Little Flower Bloom

In my book, Child of Wonder, I have a chapter called “Let the Flower Bloom,” about allowing children to approach and arrive at their own creativity and expression at their own pace. In my opinion, it’s one of the most important chapters in the book, for without respect of personal pace and understanding of the range of development, I believe our children are doomed to have their creativity and personal expression stifled and even fatally crushed. On the other hand, when we do respect both their process and their pace in all they do, their creativity can bloom in ways we hadn’t ever imagined.

Today, this respect and patience, the kind a flower requires to beautifully bloom, paid off for my own little flower: my seven year-old son Zeal. Most things in life come very easy to Zeal – he talked at a very young age, has lots of friends, embraces life to the fullest, loves the joy of personal expression, and can reason and philosophize with the best of them.

For the last six years or so, we have been providing him positive water experiences and waiting for the day when he would glide along unaided, body and head fully submerged, and just swim away from his dear parents. But that day seemed further and further off in the distance. Would it ever arrive? Would he ever swim on his own?

At times, I’ve been silently discouraged by his progress, or lack thereof, as he refused to even put his face in the water, much less begin to swim laps. We’d tried everything: games, lessons, fun with friends, talks about the importance of learning water safety, more lessons, just giving up and not talking about any expectations, “practicing” in the bathtub, anything to get him to enjoy the water and make him more comfortable with the very natural experience that it is. Still, he continued to have reservations about the water and his precious little face.

When Zeal started walking, at 9 months, he literally and without warning to us just stood up and walked across the room. When a friend gifted him a hand-me-down bike just after his fourth birthday, he got on it and within 10 minutes of running behind him, he started riding around the park. So why should swimming be any different for him? Of course, it wasn’t. It just took him a little longer this time around.

Well, without a word, he decided today was the day. He got in the water, bobbed for a second, and took off swimming. It looked almost effortless as he kicked and moved through the water. It looked as though he’d been doing this for years. But it wasn’t without effort at all.



This kid, like his mom, is a watcher. We watch, study, until we’re ready to jump in with both feet and take off with a splash. Even knowing this about him, about me, it has sometimes been difficult to just let the flower bloom the way flowers do, with gentle care and loving patience. And he did in fact, yet again, bloom! And as always, he did it in his own sweet time.


Ginger Carlson is an educator, speaker, and author of the award-winning book Child of Wonder: Nurturing Creative and Naturally Curious Children. Visit her online at http://gingercarlson.com.
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Tuesday, July 29, 2008

How to Climb a Tree



Ginger Carlson, MA Ed, is a speaker, education consultant, and the author of Child of Wonder: Nurturing Creative and Naturally Curious Children (Common Ground Press 2008). She leads creativity-building workshops throughout the US for parents and educators. Please visit her at http://www.gingercarlson.com to learn more, see her blogs about living creatively and cooking with children, or sign up for Wonderwise, her free newsletter.

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Sunday, July 20, 2008


Appreciating the Process: What he has to show for it

Grasping Wonder with Slippery Fingers
Creativity and Children
by Ginger Carlson, MA Ed.





Every week, my son spends a few hours at the home/studio of an amazing professional potter. It's an experience I wouldn't give up or trade for the world. There, with expert instruction, gentle guidance, and intense freedom, they (my son and the few others kids in the group) create with clay. They sit around a table, handbuild, sometimes throw on a wheel, laugh, have momentary bouts of feistiness, and learn together. They sculpt and form and build what only children who still listen effortlessly to their creativity can. They bring imagination, care, problem solving skills, and creative abandon to their projects. They make vessels, masks, tiles, clocks, puzzles, games, abstract sculptures, and of late some of the most ingenious marble mazes ever created.

It's a funny thing. Because after all this time of so enjoying the experience of it, I've just realized (when asked by a friend to see some of the things he has made) that "what he has to show for it" is limited to the cute little spotted rhino (above) that fits so nicely in the palm of his hand and a few small other things still waiting to be fired and glazed. He has spent hours, weeks, and months creating. He has brought thought, ingenuity, and passion to what he has made. And at the end of nearly every session, he takes his work and returns it to its original state, a hearty lump of clay. Or, he works a piece of clay until it has been pounded, sculpted, layered, or molded into oblivion, and he decides in the end that he's moved on from wanting it. On occasion, he asks to have it "saved" and the piece is wrapped to keep it moist, and he returns to it again and again, each week maybe adding another small detail. A few times, things he has made that he did want to fire fell apart before getting to the next step, or broke in the kiln during the bisque firing.



Just the other day we were invited into another potter's studio for his scouting group. The potter was set to do a lesson for the kids. She started to ask the kids questions. Where does clay come from? What is slip and why do we need it? How would you start to make a pot or cup? Why might a ball explode in the kiln? He had all the answers and brought a humble confidence to the class. He was praised for his knowledge. Yet, he left the experience saying that he didn't like this class, because he didn't get to choose what he was going to make, and he had to glaze it even though it wasn't done yet. Kids need to be able to be freer than what adults let them be, he said. Why don't most grown-ups know that, Mommy?

So glazing day is coming up, and he has just a few pieces. And he couldn't be happier about it. He doesn't compare himself to others or take a tally of number of pieces. He stays in the moment and he is personally proud and introspective about his work. Just yesterday, he said to me out of the blue, "I'm pretty good at making pottery." And went away with a thoughtful look in his eyes.

So it seems, sometimes what you have to show for it, what you can physically hold in your hand, doesn't at all represent what you really do have.

Ginger Carlson, MA Ed, is a speaker, education consultant, and the author of Child of Wonder: Nurturing Creative and Naturally Curious Children (Common Ground Press 2008). She leads creativity-building workshops throughout the US for parents and educators. Please visit her at http://www.gingercarlson.com to learn more, see her blogs about living creatively and cooking with children, or sign up for Wonderwise, her free newsletter. Read more!

Sunday, July 13, 2008

GRASPING WONDERS WITH SLIPPERY FINGERS

Creativity and Children

Ginger Carlson, MA Ed.

Grasping Wonder with Slippery Fingers

Do you know that feeling when you are in the shower and you reach down to pick up the soap, and it just slips out of your fingers? So you
try again, this time using both hands, and plop!...there goes the soap
flying across the shower floor. And on and on, until finally you
grasp the little sucker with your finger nails so it can?t get away.
It will do its job for you. When it is done doing its job, and only
then, will it be able slip back into its comfortable nook on the
shower wall, only to slide off again at your feet, at which point you
just leave it there, sitting over the grate letting the rest of your
shower water begin to assist in its slow disintegration. You sigh and
just let it be. After all, it did what you asked it to do, and you are
clean now, so there is no need to go through that whole rigmarole again.

As adults, we often go through our own processes trying to hold onto
our own individual creative soaps. We are searching for our voice,
learning to create again, or developing a particular style with art,
cooking, music, or any number of ways we wish to express ourselves.
Oftentimes, we are working to take off layers of upbringing, possibly
even addictions or other roads that may have lead us astray from our
creative paths. We do it because creativity and being able to
uniquely express ourselves is our birthright, but it is often hard
work. So how do we rear thoughtful creative children, the kind of
children who grow up to be thoughtful creative adults, who are somehow able to continue to nimbly grasp their own true creative, yet
slippery, wonder?

Luckily, there?s more than one way to do so, and this little journey
we call parenting is as unique as our kids are. Still, if we can
release for a moment the urge to control; if we can allow true
expression; if we can honor the creative impulses that arise, and do
so early and often, then we encourage the creative life we want and
strive for ourselves.

So it is later in the afternoon and you walk into the bathroom. The
shower curtain is still pulled back and you see that the soap is still
guarding the grate, just as you left it. You reach down again and
easily pluck the soap up and place it back on the shelf. It stays
put. A second later your out-loud, expressive, energetic, creative
kid goes running down the hallway dressed as the super-human master of the underworld, flaming red scarves trailing behind. The energy
settles on your whole being, and you smile, because maybe, just maybe, when he grows up he won?t have such a hard time holding onto his soap.

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Ginger Carlson, MA Ed, is a speaker, education consultant, and the
author of Child of Wonder: Nurturing Creative and Naturally Curious
Children (Common Ground Press 2008). She leads creativity-building
workshops throughout the US for parents and educators. Please visit
her at http://www.gingercarlson.com to learn more, see her blogs about living creatively and cooking with children, or sign up for
Wonderwise, her free newsletter. Read more!